Several art forms still prevail: Veeragase is a vigorous dance form, based on Hindu mythology and involves very intense dance movements. It is home to Carnatic music fostered under the patronage of the rulers of the Vijayanagar Empire and the Wodeyars. It was the trinity, particularly Tyagaraja, who refined the krithis, one of the important styles of singing in Carnatic music. So, she started teaching Carnatic music from basics to masters through an audio visual representation brought forth in the form of 100 to 150 DVDs. Mysore is rich in performig arts traditions. His compositions of swarajatis are known as ratna traya. Compared to the volume of compositions done by his inexhaustible colleagues, Syama Shastri's compositions are less, but are equally well known. Syama Shastri (1762-1827): He was the eldest among the trinity of Carnatic music and has composed three hundred krithis. The se compositions are regarded as a new genre of music and a pointer to the relatively unknown realms of the cultural interactions between the East and the West in the 1800s. Though Muthuswami Dikshitar created the majority of his krithis in Sanskrit and Telugu, Nottuswara Sahitya were songs composed on western tunes. He also composed about forty songs known as Nottuswara Sahitya. The South Indian poet cum composer is known for integrating Hindustani musical the mes into Carnatic style of singing. This noted musician had made tremendous contributions to the development of modern South Indian music system. Muthuswami Dikshitar: Muthuswami Dikshitar (1776-1835), the youngest member of the Carnatic music trinity, is also known by his signature name of Guruguha. Sangatis, a part of Krithi, are used to render finer aspects of music. He introduced the concept of sangatis i.e. He made vital contributions to the compositional form of Krithi, which is an advanced form of Carnatic music. Tyagaraja: Kakarla Tyagabrahmam (1767 -1847), commonly known as Tyagaraja was a music genius and highly influential in the development of Carnatic music.
Their compositions form the major part of Sou th India's music system and during the ir period Carnatic music reached the peak of its glory. The se three contemporary composers were associated with temples of the Vaishnava sect. The legendary Carnatic musicians, Thyagaraja, Muthuswami Dikshitar and Syama Shastri who lived during the Tanjore Maratha period, are popularly known as the classical trinity of Carnatic music.
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